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His visit to a sex club is, for instance, hilarious when it should be a toe-curling embarrassment. What should be an off-putting premise is nothing of the sort Markle’s sad-sack act is really just an excuse for an observational doc that illuminates how terribly ordinary and a little lonely most people are.
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Among the women are various artists, a professional cuddler and “a gun-rights lobbyist with nice hair.” The latter doesn’t actually turn up. Others are old friends and crushes he tracks down and chats with. Now, most women would run a mile from a guy with a camera who admits he just wants to meet “interesting women.” But some don’t. He decides to meet and film “interesting women” in hopes of finding the right one for him. I’ve always wanted to be married.” His solution is, to put it mildly, a tad weird.
“I’m 42, I should be divorced by now and looking for wife No. At age 42, he says, he found himself single and longing for a relationship. Made by Steve Markle (who made the great doc Camp Hollywood a few years ago) it’s all about Markle himself. One can see why: it shouldn’t work, but it does and exudes an uncanny charm that makes it highly, perversely enjoyable. Shoot to Marry (Saturday, Super Channel, 9 p.m.) won an audience award at this year’s Slamdance documentary festival. Tattoo artist Danielle Bar is one of the subjects of Steve Markle's documentary Shoot To Marry.
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But reluctantly, because she doesn’t trust her own memory and, well, all her pals are having casual sex, so she wonders, “What’s the big deal?” The series has been described as a “memory play”, which is fair and, as unsettled as you might be, you want to go with Arabella on the journey to solving the mystery of what, exactly, happened to her. Eventually, by Episode 2 (there are 12 at 30 minutes each) she wants to solve the mystery of what happened to her. She took drugs willingly on the way to the bar and she lives a carefree life of casual dating and hook-ups. What’s unnerving is Arabella’s unwillingness to acknowledge that the sex might not have been consensual. Her bank records indicate she went to an ABM, but she can’t remember why. It takes a while before she’s willing to admit that her drink might have been spiked and she may have been sexually assaulted.
The next morning she’s still typing but she’s got a cut on her forehead, and a fuzzy head of splintered memories of her drinking session. During that night she takes a break and meets pals for a drink. As the story opens, she’s leaving Italy, having gone there to finish her second book, which is due any day but she hasn’t actually written, beyond some notes and jokes.īack in London she’s obliged to pull an all-nighter at her publisher’s office to produce something to satisfy them. She gets stopped in the street by fans and has a wide array of hip young friends. She’s Black and has dyed her hair a distinct pink. The focus is on Arabella (Michaela Coel, star/creator of the British cult hit Chewing Gum), who has written a bestselling book about her millennial experience. Written by and starring one of Britain’s best young actor/writers it goes to places that will make some viewers uncomfortable.
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I May Destroy You (Sunday HBO, 10:30 p.m.) was originally made for BBC TV and has already stirred some controversy about its methods of approaching the issues of consent.
It concerns consent and sexual assault, told in a way that’s more like protracted human experience than conventional drama. But it’s potent and urgent in a way that’s compelling and admirable. It’s not an easy watch, the big-ticket new series this weekend.
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